John Rutter

John Rutter
John Rutter
artist
artist.tools
Playlist Risks
Listeners
651,864/mo
Total Streams
943,171,688
Followers
61,865
Est. Royalties
$2,781 - $11,126/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
75
Albums
3
EPs
38
Singles
943,171,688
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB20,311
AUSydney, AU6,875
AUMelbourne, AU5,735
USNew York City, US5,709
DEBerlin, DE5,436

Playlist Summary

Overview of this artist's relationship with playlists
12,477
Playlist adds
0
High-risk playlist adds
3,735,886
Playlist follower reach (sum)
60,940+
Listeners from playlists
Estimated
9.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

John Rutter is one of England's best-known composers of the late 20th and early 21st centuries, as well as a widely respected choral conductor, music scholar, and editor. While his choral works, both small and large -- including the Gloria (1974), Magnificat (1990), Requiem (1985), Psalmfest (1993), and Mass of the Children (2003) -- are the most familiar, he has written instrumental works, including a piano concerto; two children's operas; and music for television. Rutter also composed specially for such groups as the Philip Jones Brass Ensemble and the King's Singers. Rutter began his musical career as a member of the Highgate School chorus, continued to study organ, and went on to Cambridge University, where he studied at Clare College. At the age of 30, in 1975, he returned to Clare, where he served as director of music. In 1979, however, he left the position in order to give more attention to composing and conducting. He still contributed to the study of choral music, acting as an editor on the Carols for Choirs series along with Sir David Willcocks and on the Opera Choruses (1995) and European Sacred Music (1996) volumes of the Oxford Choral Classics series. He formed the Cambridge Singers in 1981, primarily to record his and others' music, and again he left off leadership of the group in order to concentrate on composing and conducting. He was made an honorary fellow by Westminster Choir College, Princeton, in 1980, and a fellow of the Guild of Church Musicians in 1988. In 1996, he was awarded a Lambeth Doctorate of Music by the Archbishop of Canterbury for his services to church music. In addition to all of these activities, he manages the Collegium Records label, largely devoted to his own music. Rutter continues to guest conduct and lecture around the world. He was awarded a CBE for his services to music in the 2007 Queen's New Year Honours List. In 2016, Rutter wrote Visions for violin, treble choir, harp, and strings, and conducted its premiere along with his Requiem that year on Collegium Records. In the midst of the 2020 coronavirus lockdowns, Rutter transcribed eight of his choral works and eight carols for piano, bringing in longtime friend Wayne Marshall to record The Piano Collection in isolation, with Rutter producing from his England home. Two years later, he composed A Ukrainian Prayer, a short choral piece whose proceeds went to help humanitarian aid during the war in Ukraine. Among his other works of this era were 2023's In the Poet's Garden and 2025's Reflections, a large-scale piece coinciding with his 80th birthday. It was his first purely orchestral album in 58 years. Musically, his works show very distinct influences from the past. He has a strong sense of the English musical traditions, and some of the more significant English musical influences on his work include Ralph Vaughn Williams, William Walton, and Benjamin Britten. Non-English influences include Fauré, Gregorian chant, and Bach. His Suite Antique is a direct tribute to the Brandenburg Concerto No. 5, written for the same instruments and in the same style. His music's immediate accessibility, being both tuneful and expressive, and its wide general appeal, have earned him a place in the English musical tradition, and while he is most popular in England and the United States, his music is performed worldwide, particularly by church choirs. ~ TiVo Staff, Rovi

Updated Nov 1, 2026, 11:14 PM
First discovered Aug 18, 2026, 6:23 PM