Bikini Kill

Bikini Kill
Bikini Kill
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners546,250-3.0%7dListeners from Playlists139,410-2.5%7dChangeN/A—

546,250 – 563,360

Discography

Their catalog as it appears on their public Spotify artist profile
5
Albums
0
EPs
0
Singles
290,908,614
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USLos Angeles, US10,570
USChicago, US8,675
USNew York City, US7,412
GBLondon, GB6,941
AUMelbourne, AU5,747

Playlist Summary

Overview of this artist's relationship with playlists
62,611
Playlist adds
0
High-risk playlist adds
8,962,243
Playlist follower reach (sum)
139,410+
Listeners from playlists
Estimated
25.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Bikini Kill is a feminist punk band that was based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. Kathleen Hanna sang, Tobi Vail played drums, Billy Karren (a.k.a. Billy Boredom) played guitar and Kathi Wilcox played bass. Sometimes they switched instruments. Bikini Kill is credited with instigating the Riot Grrrl movement in the early 90's via their political lyrics, zines and confrontational live show. The band started touring in June 1991. In addition to touring the US several times, they also toured Europe, Australia and Japan. Bikini Kill recorded and released a demo tape, two EP's, two LP's and three singles. Their demo tape was self-released,while their first two records came out as a full length CD/Tape and their singles were posthumously collected on CD. Bikini Kill believed that if all girls started bands the world would change. They actively encouraged women and girls to start bands as a means of cultural resistance. Bikini Kill was inspired by seeing Babes in Toyland play live and attempted to incite female participation and build feminist community via the punk scene. They used touring as a way to create an underground network between girls who played music, put on shows and made fanzines. This independent media making and informal network created a forum for multiple female voices to be heard.

Updated Nov 7, 2026, 9:53 PM
First discovered Oct 29, 2025, 12:25 AM