Brothers In Rhythm

Brothers In Rhythm
Brothers In Rhythm
artist
artist.tools
Playlist Risks
Listeners
68,045/mo
Total Streams
12,703,533
Est. Royalties
$334 - $1,336/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
0
Albums
0
EPs
7
Singles
12,703,533
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Brothers In Rhythm's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB6,636
GBManchester, GB4,024
GBGlasgow, GB1,414
GBBirmingham, GB1,368
GBLeeds, GB1,041

Playlist Summary

Overview of this artist's relationship with playlists
4,259
Playlist adds
0
High-risk playlist adds
1,784,648
Playlist follower reach (sum)
24,860+
Listeners from playlists
Estimated
36.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

London, UK-based producer Steve Anderson and Leeds, UK-based DJ Dave Seaman, who met through the DMC organization in 1988, established themselves as one of the UK house scene’s most adventurous and popular remixing teams. They initially came to public prominence with startling revisions of yesteryear such as Heaven 17’s ‘Temptation’ and Frankie Goes To Hollywood’s ‘Welcome To The Pleasuredome’. Other work included engagements with Sabrina Johnson (‘Peace’), Pet Shop Boys (‘We All Feel Better In The Dark’, ‘DJ Culture’, ‘Was It Worth It?’, ‘Seriously’), Kylie Minogue (‘Finer Feelings’), Ce Ce Peniston (‘We Got A Love Thang’), Lulu (‘Independence’) and Judy Cheeks (‘Reach’). They also earned the honour of being the first British team to remix Michael Jackson (‘Who Is It?’ - and they would also work on a track for sister Janet Jackson). Their own work as Brothers In Rhythm included the singles ‘Such A Good Feeling’ (remixed by Sasha) and ‘Peace And Harmony’, though they left 4th & Broadway in 1992, delaying the release of a third, ‘Forever And A Day’. They have also recorded under the alias Brothers Love Dub (‘Ming’s Incredible Disco Machine’) and Creative Thieves (‘Nasty Rhythm’). Seaman was also a leading light behind the DMC/ Stress Records empire, including the development of the clubber’s bible, Mixmag, and also signed a publishing contract with MCA.

Updated Nov 1, 2026, 11:38 PM
First discovered Aug 25, 2026, 8:59 PM