Ikue Mori

Ikue Mori
Ikue Mori
artist
artist.tools
Playlist Risks
Listeners
1,329/mo
Est. Royalties
$4 - $16/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USBrooklyn, US47
USNew York City, US46
MXMexico City, MX32
CAMontreal, CA22
USLos Angeles, US21

Playlist Summary

Overview of this artist's relationship with playlists
143
Playlist adds
0
High-risk playlist adds
8,013
Playlist follower reach (sum)
60+
Listeners from playlists
Estimated
4.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Ikue Mori has been a key member of the downtown music scene since moving to New York from Tokyo in 1977. She began her career playing drums for the seminal "no wave" group DNA, which she formed with guitarist Arto Lindsay and keyboardist Tim Wright. After the short-lived but highly influential group broke up in 1982, Mori began improvising live and recording with experimental musicians like Fred Frith, Tom Cora and, most notably, John Zorn. By 1985, Mori had completely abandoned the standard drum set in favor of her own unique drum machine/sampler set-up. Her signature instrument evolved into a highly customized arrangement of three self-programmed drum machines which she could trigger simultaneously to perform live, as well as for use recording. In 1990, Mori received an NEA grant to work with filmmaker Abigail Child, which marked the beginning of several soundtrack projects for the musician. Throughout the 90s, Mori played and recorded with countless musicians, including projects/albums Death Praxis with vocalist Tenko, Painted Desert with guitarists Marc Ribot and Robert Quine and Death Ambient with guitarist Frith and bassist Kato Hideki. Mori's career-defining compositions on Hex Kitchen (1995) incorporate impressive performances by several of Mori's most frequent collaborators, including electric harp player Zeena Parkins, vocalist Catherine Jauniaux and trombonist Jim Staley. In 1996, Mori released her first solo drum machines album, Garden, followed by B/Side (1998), a collection of tracks originally recorded for Child's films. Mori continued to work with a myriad of performers in the avant-garde and electronic scenes in the late 1990s, including collaborations with gifted trumpeter Dave Douglas, Mr. Bungle vocalist Mike Patton, Sonic Youth's Kim Gordon, free jazz bassist William Parker and extensive work with composer/saxophonist John Zorn. Mori had several performance highlights in 1999, including an appearance on stage with Sonic Youth, a debut performance of new compositions with DJ Olive in New York City and an improvised duo with Chicago electronic music Jim O'Rourke. Ikue Mori is one of the most respected musicians in the downtown scene, renowned for her abilities as an accomplished composer and improviser and as one of the foremost electronic music innovators.

Updated Oct 4, 2026, 5:22 AM
First discovered Aug 29, 2026, 5:15 AM