Horse Lords

Horse Lords
Horse Lords
artist
artist.tools
Playlist Risks
Listeners
14,384/mo
Total Streams
2,817,435
Followers
24,006
Est. Royalties
$57 - $227/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB476
USChicago, US328
USBrooklyn, US261
USNew York City, US260
USLos Angeles, US214

Playlist Summary

Overview of this artist's relationship with playlists
2,100
Playlist adds
0
High-risk playlist adds
278,939
Playlist follower reach (sum)
1,370+
Listeners from playlists
Estimated
9.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Horse Lords were founded in Baltimore in 2010; they evolved from the experimental collective Teeth Mountain and began as a trio with drummer Sam Haberman, guitarist Owen Gardner, and bassist Max Eilbacher, soon adding alto saxophonist Andrew Bernstein to the core ensemble. Though Horse Lords grew out of the fertile Baltimore noise and leftfield rock scene, a storied environment for artists and weirdos that has nurtured many an influential outsider band (Lungfish, Matmos), their approach is more omnivorous than the stippled rhythms of instrumental electric rock would indicate.  Across sixteen years of frequent touring, Horse Lords have released ten studio, live, and collaboration albums in addition to a split EP, a handful of singles and compilation tracks. With the relocation of three of the four members to Germany beginning in 2021, the potential for more further creative exploration, and performance opportunities including the Moers Festival, the interdisciplinary phases of the band’s music was poised for fascinating new directions. The band observes “We are always trying to balance working within the limitations of the quartet and pushing beyond them.” As the members are keen to point out, Demand To Be Taken To Heaven Alive! is “a bid for the flattening of time and perception in favor of greater goods [and] the iterative nature of reaching/building a paradise in this life, not the next,” and the new album at hand is an illuminating starting point for eternal nowness.

Updated Sep 30, 2026, 7:28 PM
First discovered Mar 22, 2026, 7:58 AM