Offshore and Coen

Offshore and Coen
Offshore and Coen
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners1,073-0.8%7dListeners from Playlists380+58.3%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
8
EPs
18
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Offshore and Coen's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ZAJohannesburg, ZA90
ZAPretoria, ZA32
GBLondon, GB22
AUSydney, AU20
ZACape Town, ZA17

Playlist Summary

Overview of this artist's relationship with playlists
259
Playlist adds
0
High-risk playlist adds
59,783
Playlist follower reach (sum)
380+
Listeners from playlists
Estimated
35.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Producing together since 2010 Maarten Kops (Offshore) and Coen Verschuuren (Coen) got their inspirational taste from music that is balancing between warm, deep and smooth. Offshore played in several bands as a drummer and frontman. In 2006 he started to produce dance music and found his way as a DJ/Producer. Coen had his inspiration years ago when house was first entering the world. Finally he started to DJ twenty years ago. When they met in 2010 they did some gigs together. With Offshore already producing they decided to team up. They started releasing EP’s on labels like 4 Rooms Records and Ambiosphere Recordings between 2011 and 2013. In Phat Elephant Amsterdam they found a label with similar interest and energy. Until today they released several EP’s on that label, like Rosalie (2014), Jasmin Lane (2017, includes a remix by Nils Penner), Lost (2019, includes a Remix by DirtyTwo). In between they worked on their own remixing skills for several DJ/Producers and Dutch bands like Kern Koppen (2016)and Splendid (2015). In 2018 they moved their gear to the Splendid Studio. More live sounds became available and their most recent productions are more and more filled with live played instruments: Loops taken from band members and also drum or percussion sessions by themselves. The 2019 Move EP (TreeSixtyOne) contains ATT, a re-edit from a track by Splendid and this one caught the attention of Freerange Records and Lazy Days Recordings.

Updated Nov 10, 2026, 6:24 PM
First discovered Aug 22, 2026, 1:32 PM