Anne-Marie Owens

Anne-Marie Owens
Anne-Marie Owens
artist
artist.tools
Playlist Risks
Listeners
1,515/mo
Total Streams
14,335,911
Est. Royalties
$5 - $20/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
6
Albums
0
EPs
0
Singles
14,335,911
Total Streams

Genres

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View Anne-Marie Owens' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB28
AUSydney, AU22
MXMexico City, MX21
AUMelbourne, AU21
CLSantiago, CL16

Playlist Summary

Overview of this artist's relationship with playlists
6
Playlist adds
0
High-risk playlist adds
5
Playlist follower reach (sum)
0
Listeners from playlists
Estimated
0.0%
Of listeners from playlists
Estimated

Playlist Movement

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No activity found

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Biography & Metadata

Anne-Marie Owens is among the mezzo-sopranos most in demand in recent years in the British operatic scene. She has sung at opera houses in England, Europe, and America, covering a wide range of mezzo and alto roles. In England, she is primarily associated with the English National Opera. Representative roles in her repertory are: Mary in The Flying Dutchman; all three mezzo parts (La Frugola, The Princess, and Zita) in Puccini's Il Trittico; Dame Quickly in Falstaff; Arnalta in The Coronation of Poppea; and Laura in La Gioconda. She plays the two most witch-like characters in Verdi and Wagner operas, Azucena (Il Trovatore) and Kundry (Parsifal). Owens participated in the recording of Judith Wier's opera Blond Ekbert.

Updated Oct 3, 2026, 4:30 PM
First discovered Sep 18, 2026, 9:03 AM