Buddy DeSylva

Buddy DeSylva
Buddy DeSylva
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners3,774+0.6%7dListeners from Playlists190-24.0%7dChangeN/A—

3,750 – 3,792

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
0
EPs
1
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Buddy DeSylva's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB61
AUMelbourne, AU60
SEStockholm, SE45
MXMexico City, MX41
AUSydney, AU41

Playlist Summary

Overview of this artist's relationship with playlists
369
Playlist adds
0
High-risk playlist adds
30,938
Playlist follower reach (sum)
190+
Listeners from playlists
Estimated
5.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
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Happened at

Biography & Metadata

Lyricist and composer Buddy DeSylva is best known for his years in the Henderson-DeSylva-Brown team, who were without equal as songwriters of the Roaring '20s. He was born in N.Y.C. on January 27, 1895, but raised in California, where he grew up and briefly attended USC. DeSylva, also known as B.G. Desylva and George Gard Desylva, became interested in show business, began songwriting and eventually was brought to N.Y. by Al Jolson. DeSylva's first successful songs were those used by Jolson on Broadway in the 1918 Sinbad production, which included "I'll Say She Does." DeSylva wrote for over ten musicals between 1919 and 1925, including La, La, Lucille (1919), several of George White's Scandals of the early '20s, and Captain Jinks (1925). His early hits from these shows include "April Showers," "Somebody Loves Me," and "California, Here I Come." In 1925, DeSylva joined up with the duo of composer Ray Henderson and lyricist Lew Brown and the trio successfully established themselves with their second Broadway score, George White's Scandals of 1926. Henderson-DeSylva-Brown then scored the 1927 stage productions Good News, and Manhattan Mary, followed the next year by Hold Everything, more George White's Scandals in the late '20s, and Flying High in 1930. Off the stage, the songwriting trio had several hit songs, in addition to their movie credits for songs in early Al Jolson films (Sonny Boy and It All Depends On You) and the popular 1929 film Sunny Side Up, which they went to Hollywood to score. DeSylva left in 1931, to pursue a career as a movie producer, but also continued to write music for film and stage productions, such as Broadway's Take a Chance (1932). The mid-'30s found DeSylva producing Shirley Temple films like The Littlest Rebel and Poor Little Rich Girl, followed by his work as producer for a few Broadway productions. DeSylva later held positions as head of Paramount Pictures, as a music publisher, and finally as a record executive for Capitol Records. He collaborated with many other songwriters through the years including Jolson, Gus Kahn, George and Ira Gershwin, Jerome Kern, and Nacio Herb Brown. ~ Joslyn Layne, Rovi

Updated Nov 8, 2026, 11:42 PM
First discovered Sep 26, 2026, 8:40 PM