George Job Elvey

George Job Elvey
George Job Elvey
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners7,720+0.6%7dListeners from Playlists2,920+6.2%7dChangeN/A—

7,658 – 7,755

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
0
EPs
0
Singles
1,351,811
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View George Job Elvey's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

NGLagos, NG381
GBLondon, GB184
NGPort Harcourt, NG163
NGAbuja, NG125
GHAccra, GH124

Playlist Summary

Overview of this artist's relationship with playlists
448
Playlist adds
0
High-risk playlist adds
143,946
Playlist follower reach (sum)
2,920+
Listeners from playlists
Estimated
37.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

George Elvey is best known for his hymn tunes, particularly for two that are still widely used in Christian services today: Diademata (Crown Him with many crowns) and St. George's Windsor (Come, ye thankful people, come). He set many other texts, including "Come, ye lofty" and "Pilgrimage," and he also composed oratorios, songs, anthems, and other music for church services, most of it long forgotten, however. Elvey was an arch-conservative, writing music that looked backward a half century or more, showing the influence of Handel and rejecting most modern trends. None of his large works are performed or recorded today, but some of his hymn tunes are regularly heard in church service and appear on recorded collections of hymns and sacred music. Hyperion, Decca, Priory, and a few other labels have issued recordings containing some of his more popular efforts. George Elvey was born into a musical family on March 27, 1816, in Canterbury, England. He served as a boy chorister in Canterbury Cathedral and quickly advanced, taking on more prominent singing parts in the church services there. Elvey later studied at the Royal Academy of Music in London. In 1835 he was appointed organist and chorus master at St. George's Chapel, Windsor. Having just turned 19, Elvey now held a highly coveted post, but then he was already a celebrity of sorts, having written the anthem Bow downe thine ear in 1834, which was awarded the prestigious Gresham Prize. Elvey held his post at St. George's for 47 years. During his tenure there, he improved the chorus, expanded the repertory, and wrote a spate of compositions, mostly for church service. Elvey soon became a popular figure in the highest circles in English society: in 1837 he was appointed organist to the Queen and thereafter was a regular at royal gatherings. Yet, he had not yet obtained his bachelor's degree; that would come in 1838 at Oxford and his doctorate in 1840. Elvey was often selected to provide music for royal occasions, such as the funeral of Queen Adelaide in 1849 and the wedding of Princess Louise in 1871, for which he composed his once-popular Festival March. It was for that work that Elvey was knighted in 1871. Throughout most of his career Elvey also taught organ and violin. He retired from St. George's in 1882 and died in Windlesham, Surrey, in 1893.

Updated Nov 7, 2026, 4:22 PM
First discovered Aug 24, 2026, 7:32 AM